Here’s a solo over a simple 12 bar blues in the key of A. I’m using dominant 7th arpeggios to outline the sound of the different chords.
The tabs and notation are available on patreon.
Be sure to check out the course.
My first long distance video collaboration with drummer extraordinaire Scott Wittenberg. A little odd meter instrumental we came up with. Enjoy!
Visit Scott at scottwittenbergdrums.com
Playing through a Kingtone Duelist Overdrive into a Headstrong Amps Lil’ King S. Mic’d with a Sennheiser e609 straight into my DAW. Some reverb added in Luna.
Backing track and tabs available on patreon.
The internet never forgets. Masashi Hara (RIP), Hiroyuki Kaise and Hideyuki Umezawa playing their last gig. Club 440, Shimokitazawa.
Charlie is one of my absolute favorite guitarists. Give him a follow.
“Someday We’ll All Be Free” – Donny Hathaway
“Changes” – Soulshine Family Band, City Winery, Nashville.
Caldonia, from the movie Swing Parade of 1946 starring Gale Storm, Phil Regan and Moe Howard.
My version of a Paul Simon classic. Using my Josh Williams Mockingbird straight in to an Universal Audio Arrow.
w/ Jon Cleary & The Absolute Monster Gentlemen – Help Me Somebody (Live @ The Maple Leaf)
For backing tracks, tabs and notation join me on Patreon
In this lesson we look at the ‘VI-II-V-I’ chord progression and a few different approaches to soloing/improvising over these changes. This chord change is commonly found in jazz blues changes as well as tons of standards and r&b tunes.
This lesson covers: chord tone solos, arpeggio substitutions, and the altered scale.
The Gear: Josh Williams Mockingbird Guitar w/ Tone Specific Bloombuckers, Headstrong Amps Lil King S, Universal Audio Ox Box, Universal Audio Arrow
And for more in depth lessons, check out my Truefire course
The backing track for this lesson, along with the notation/tabs for the opening solo, are available on patreon.
Learning songs, melodies, and solos by ear is an essential part of learning the guitar. By analyzing these ideas we can break them down and find new ways to make them our own. Grant Green is one of my all-time favorite guitarist for his ability to blend together jazz vocabulary with a deep rooted blues feel. We’re going to look at three of his lines, analyze the harmony, and come up with new ways to use the concepts we learn.
This lesson examines the following concepts: Basic altered scale ideas, diminished 7th arpeggios, outlining II-V-I’s, and repeating ideas in minor thirds.
The Gear: Josh Williams Mockingbird Guitar, Headstrong Amps ‘Lil King S, Kingtone Duelist, Universal Audio Ox box and Arrow Interface.
Follow me on Patreon for the Tabs and Backing Track
Many of the notes used in the Blues fall within the major and minor pentatonic scales. As I demonstrate, we can make great sounding solos with that alone but, if we want to dive deeper into outlining each chord change, we need to know our arpeggios.
I’ll show you how to practice scales and arpeggios by grouping them together in 5 different positions.
Scales and arpeggios provide us with a blueprint for many of the notes we can use to be expressive over the Blues and, by mapping them out all over the fretboard, we can start to play with freedom!
Find notation/tabs and examples for this lesson on my Patreon page.
Tabs are FREE on patreon.
Feel free to come join me on Patreon for additional tabs, notation, backing tracks and more!
In this lesson we’ll look at a basic minor blues progression and what you need to get started improvising and creating solos over this chord form.
We look at a very simple version of this progression with the chords: Amin7, Dmin7, and E7. I’ll take you through a few approaches I use to outline these chords, along with 4 solo examples that put these approaches into action.
In this lesson we examine: Minor pentatonic scale approaches to outlining tone with arpeggios, the harmonic minor scale and diminished 7th arpeggio substitutions.
The Gear: Xotic XTC guitar with Mojotone Quiet Coil pickups, Kingtone Duelist overdrive, Headstrong Amps Lil King S, UAD Ox Box.
The notation and tablature for the solo at the beginning, as well as all the tabs throughout the video and the the backing track are available on my Patreon page:
Knowing how chords function help with composing as well as improvising. In this lesson I’ll talk about some of the basic fundamentals of harmony, as well as some of the harmonic devices I use to spice ordinary chord progressions.
This lesson will cover: Basic diatonic harmony, secondary dominants, and II-V-I’s altered upper extensions.
I’ll demonstrate how we can take a simple chord progression (C-Amin-F-G) and, using different harmonic concepts, turn it into something more complex. I’ll also demonstrate my approach to soloing over the different iterations of the chord progression.
The Gear: Josh Williams Guitar Mockingbird w/ Tone Specific Bloombuckers, Kingstone Duelist Overdrive, Headstrong Amps ‘Lil King S, Universal Audio Ox Box, Universal Audio Arrow Interface, Apple Mac Mini w/ Universal Audio Luna.
If you find these videos helpful, please consider joining my Patreon for tabs, notation, backing tracks and more.
The Scales and Arpeggios to Use in the Blues and How to Practice Them
How to add II-V-I's the the Blues
Transcribing Licks And Making Them Your Own
Spice Up Your Chord Progressions With Secondary Dominants and II-V-I's
How To Use Diminished Scales In The Blues
Minor Blues Basics: Pentatonic Scales, Chord Tones, Harmonic Minor, Diminished Arpeggios
How to play over a VI-II-V-I chord progression in 3 levels
Start Adding the Melodic Minor Scale to the Minor Blues
Upper structure triads for comping and soloing
How to Play Over a 1, 4, 5 Progression – 3 Levels
Add Jazz Phrasing and Knowledge to the Blues
How To Play Over A 1,4,5…Part 2
Classic Soul Rhythm Guitar – Layering Parts and Fills
How to Play 3 Great Jump Blues Solos
Break Out of Scales – Start Outlining Chord Changes!
In this lesson we’ll discuss the two diminished scales. The dominant or ‘half-whole’ diminished scale, and the tonic or ‘whole-half’ diminished scale. Both can be used to great effect in a 12 bar blues. We’ll look at how to use the Dominant Diminished Scale to go from the 1 chord to the 4 chord, and how to use the Tonic Diminished Scale to go from the 4 chord back to the 1 chord. To demonstrate these scales, we’re going to look at a couple phrases from Joe Pass’s solo on the song ‘Joe’s Blues’ off the Intercontinental album. We’ll go over the original phrases and then talk about how to move the phrases around the fretboard to get 4 different variations.
The Gear: Josh Williams Mockingbird w/ ToneSpecific Bloombuckers, Headstrong Amps ‘Lil King S, Universal Ox Box.
I’m incredibly honored to be a part of the TrueFire family! They are some of the nicest and most professional people I’ve ever worked with. We put a lot of effort into this course and I think it came out great. Please take the time to check it out. Thanks everybody!
Learn various styles including; slow blues shuffles, gospel inspired changes, funky New Orleans style grooves, jazz-blues tunes, latin flavored feels, sophisticated soul changes and lots more.
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Understanding harmony is an essential part of being a well rounded musician. Knowing how chords function will help you with composing as well as improvising.
Video lessons covering the basic fundamentals of harmony, as well as some of the harmonic devices used to spice up ordinary chord progressions. We also dive into basic diatonic harmony, secondary dominants, II-V-I’s altered upper extensions, diminished 7th arpeggios and much more.
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